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Where do you see yourself in the anime world today—someone who belongs more to the otaku fandom side of things, or someone who stands outside of the scene, like Hayao Miyazaki or Mamoru Oshii? Personally, I see you as having one foot in both…

>To me, I don’t think I belong to either side, and personally, I want to make films that belongs to neither one. Maybe, for lack of a better term, there’s a “Miyazaki side,” or [Mamoru] Hosoda or [Mamoru] Oshii side, and there’s is a deep maniac anime fan side, but there are people that don’t belong to either side and I want to do things that neither side has done.

>For example, there’s groups who don’t usually watch anime—like working women in their 20s or 30s that usually only read women’s magazines, and I want to make anime that makes this group feel “oh, I didn’t realize that Japanese animation was this beautiful!” or “Oh this anime is interesting!” At the same time, for the chuunibyou people who love Kyoto Animation’s works, who are very deep hardcore fans, I want to make them feel “oh, there is also that kind of expression or depiction in anime”—that there isn’t just KyoAni-like or Macross-like anime, that they get to know or discover my style of expression and come to love it. Ultimately it’s not about deciding where I come down on; I want to make work that reaches an audience that’s neither on the “Miyazaki” or “hardcore anime” side.

what group are you?
>>
Definitely not on Mamoru Hosada's side. His movies are so fucking boring it's unreal
>>
I guess you could call me an outsider to the industry



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